Dawn of the Dead (1978): Romero's zombie classic critiques consumer culture, with survivors taking refuge in a mall, symbolizing mindless consumerism vs. the end of resources in cities.
It Comes at Night (2017): Fear personified drives this apocalyptic horror, reflecting director Shults' personal struggles with fear and estrangement.
Dirty Dancing (1987): Beyond romance, the film tackles abortion rights and a woman's journey to stand up for her beliefs in the 1960s.
Fight Club (1999): Critiquing extremes, the film delves into the pitfalls of seeking inner peace through radical individualism.
Chef (2014): Favreau's personal journey parallels the protagonist's quest for creative freedom and passion, highlighting the importance of pursuing one's dreams.
Natural Born Killers (1994): Sensationalism and morbid curiosity are dissected as the film explores society's fascination with violence and tragedy.
Taxi Driver (1976): Travis Bickle's ambiguous heroism reflects the complexities of seeking change amidst personal demons and societal decay.
The Wolf of Wall Street (2013): Excess isn't glamorized but serves as a facade for Belfort's immoral actions, masking the consequences of his fraudulent schemes.